The Great Clean Up: A Story Quilt

On February 20, 2016, our new exhibit, Purposeful Stitches: Community Quilts, will open in the Schroeder Gallery.  Quilts often have a purpose beyond warmth and bedding. The exhibit will explore “quilts with a purpose” from our collection.

One unique quilt featured in the exhibit is a ‘Story Quilt.”

The Story Quilt is described in The Quilt Encyclopedia Illustrated by Carter Houck as a quilt “that tells a story or depicts a portion of one’s life.”  Story quilts have been an important part of quilting history.  Early story quilts provided a way for those who could not read to ‘tell a story.’  Perhaps some of the best known story quilts were done by Harriet Powers.

Harriet Powers, 1901

Harriet Powers, 1901

Born in 1837 as a slave, she could neither read not write but in the late 1800s she created two dramatic and powerful story quilts . . . that impacted the world of women and quilting.”

Bible Quilt, 1886. Created by Harriet Powers.

Bible Quilt, 1886. Created by Harriet Powers.

The Great Clean Up!

Our story quilt was created in 1992 by the 3rd Grade class at Cooper Elementary in Newton, Ks.  Displayed as a wall hanging, the quilt is tied with a pieced border.  The main image is painted on the fabric.

Story Quilt, painted, 1992. Made by the Cooper School 3rd Grade Class, Mrs. Fell, Mrs. Selzer, Mrs. Voth, Mrs Weaver, teachers.

Story Quilt, painted, 1992. Made by the Cooper School 3rd Grade Class, Mrs. Fell, Mrs. Selzer, Mrs. Voth, Mrs Weaver, teachers.

The story is written on fabric around the main image and is entitled, “The Great Clean Up” and tells the story of how the group of children cleaned up a nearby park and renamed it “Jayhawk Park.”

Detail, Story Quilt, 1992.

Detail, Story Quilt, 1992.

Those who participated in creating the quilt are listed on the front.

List of students that worked on the story quilt.

List of students that worked on the story quilt.

The back includes hand prints of each participant with their name.

Story Quilt back.

Story Quilt back.

Our exhibit, Purposeful Stitches: Community Quilts will open Sat., February 20, 2016 in the Schroeder Gallery.

Sources:

  • Meeske, Susan.  “Quilt Me A Story,”  at http://comminfo.rutgers.edu/professional-development/childlit/books/MEESKE.pdf.

“Building Bridges:” A.W.Roberson

In a recent newsletter, we included the story of A.W. Roberson, a local man who worked for Civil Rights in Newton, Ks. After the article, John Thiesen, Mennonite Library & Archives, Bethel College, N. Newton, made us aware of a recording of a convocation that A.W. Roberson took part in in fall 1978.  In this recording, he describes how he worked toward ending discrimination in the 1950s in Newton, Ks.

Click on the link below the photo to listen to A.W. Roberson.

A. W. Roberson.

A. W. Roberson.

Sound recording of A.W. Roberson Convo Program at Bethel College October 1978.

(Note: This is a recording of the full convocation October 2, 1978.  Approximately the first  ten minutes of the recording are announcements. Thank you to John Thiesen, Mennonite Library & Archives, Bethel College, for sharing this with us.)

Past blog articles on A.W. Roberson:

“Be Quiet! Don’t Even Sneeze!” Zulu Cars

When Jane Jones, HCHM Archivist, picked two documents as one of her favorite things for the exhibit Stuff We Love, I had never run across the term “Zulu Car.”   She shared a story from her family to explain why she picked this correspondence. Her grandfather, dad and uncle came to western Kansas ahead of the rest of the family in a “Zulu Car.” The family’s possessions were shipped in the car.

My grandfather, who had paid to ride in the boxcar along with their possessions, hid my Dad and Uncle, who were not paid passengers, in the car and told them to be “Quiet. Don’t even sneeze!”

The correspondence from two Atchison, Topeka & Santa Fe Railroad employees, M.L. Saregent, General Freight Agent and Jerry Toles, Gen’l Southern Agent to C. Fisher, Ill, in March 1874, gives additional clues about traveling by train to the frontier.

zulu1 001

zulu2 001

 

Toles indicates that the cost for “Emigrant Freight Cars from St Louis to Larned, Newton, Wichita and all points between Newton & Larned” is $73.00 with one free pass for cars with live stock.  Presumably, the one person would be the care taking for the livestock.  Passengers were $15.00 with children at half price.

zulu3 001

Train travel by 1850 was not comfortable.  Passenger cars were simple and functional. Seats were unpadded, upright benches crammed as close together as possible. Ventilation was provided by an open window. Later, these cars became known as “Zulu Cars.” After the Civil War, there was a push to go west and many of the would be homesteaders had very little money.  They traveled as cheaply as possible.  Zulu cars helped achieve this goal.

The term “Zulu” came from England.  After the British defeated the African Zulu tribes, they engaged some  of the warriors with families to make a railway exhibition tour of England. In the U.S., “Zulu” came to refer to the boxcars that emigrants, who were known as “Zulus,” rode on to go west. Zulu cars had very few comforts. The trip was usually longer as regularly scheduled  trains took priority.  The passengers were also often treated poorly, but they were able to travel cheaply.

By the late 1800s travel by rail had improved with introduction and refinement  of the “Pullman” car.

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Sources

  • Binculli, Anthony J. Trains & Technology: Cars. Volume 2 of Trains and Technology: The American Railroad in the Nineteenth Century. University of Delaware Press, 2001.
  • “Passenger Equipment of the Early Years” at www.northeast.railfan.net/classic/CARdwgs22