Picture Man: William S. Prettyman

 by Kristine Schmucker, HCHM Curator

The culture of the Native Americans in the late 1880s and 90s was fascinating to white Euro-Americans, even as it was changing and disappearing. As a result, there was opportunity for photographers to open studios and sell prints of life in the West. The time period between 1875 and 1920 is sometimes called the “Golden Age of Western Photography.” One area of particular interest was focused on the live of Native Americans.

William S. Prettyman

One photographer was William S. Prettyman.  Born in Maryland in 1858, Prettyman first came to Emporia, Ks in 1879 “with 5 cents in his pocket.”

William S. Prettyman. Photo courtesy Prettyman, Don.  “William S. Prettyman: Frontier Phtographer.

He eventually made his way to Arkansas City, Ks where he apprenticed with I.H. Bonsall, a well-known Civil War photographer. In 1883, he made his first foray into Indian Territory in his cameras and other equipment in a custom built buggy pulled by oxen.

Custom built buggy for trips into Indian Territory. Photo courtesy Prettyman, Don.  “William S. Prettyman: Frontier Phtographer.

The Picture Man

This became an annual tradition and he quickly became known as “the Picture Man” among the Native Americans he met.  He made friends easily and was at first interested in the Osage tribe, but over the years his interested expanded to include the Ponca, Otoe, Iowa, Sac, Cheyenne, Arapahos, Shawnee, Cherokee and Pottawatomie. He was able to photograph many of the principal chiefs of the various groups.

In general, his work is described as “journalistic and documentary, rather than pictorial.” He “resented the acculturation” he observed and tried to document  customs and rituals. He wanted his photographs to show Native Americans “in their natural state of living, before civilization took them off of their land.” 

There are two photos taken by Prettyman in the Photo Collection at HCHM.

Photographer William S. Prettyman, n.d. HCHM Photo Collection.

Photographer William S. Prettyman, n.d. HCHM Photo Collection.

 Prints, like the ones above, were typically mounted on cabinet cards, boudoir cards, and stereographs and marketed to  tourists  and easterners who displayed the photos in their homes.

Cherokee Outlet

After about 10 years, Prettyman moved to Blackwell, Ok where served as mayor. He continued to take photographs.

In September 1893, the opening of the Cherokee Outlet, gave him the opportunity to take one of the  first motion photographs. To get  photographs of the action, he had to make plans well in advance and in secret. He hired men to build a 3 story platform near the starting point, but they were not told why.  Prettyman was also careful to stay away from the construction of the platform. All of his efforts to keep his plan a secret paid off. He was able to set up four cameras by the noon opening of the run.  He instructed his employees to “squeeze the bulbs of their camera at two-second intervals as soon as the race began.” Four photos were taken, since each camera could only take one picture. With everything set up and ready to go,  Prettyman decided to enter the land run himself and let his assistants take the photographs.

Opening of Cherokee Outlet or Cherokee Strip. Photo by William S. Prettyman, September 1893. Photo courtesy Prettyman, Don.  “William S. Prettyman: Frontier Phtographer.

Of the four photographs, one was destroyed because is was considered poor quality. One caught the moment the race began, another showed the slower wagons behind the horses and the final photo showed the racers fanning out. Prettyman’s photo of the opening  of the Cherokee Outlet “became one of the most famous images of that era.”

He reportedly made over 10,000 pictures over the length of his career.

In 1905, he sold the studio, including the negatives, to George W. Cornish and moved to California.  In California, he operated a wholesale drug business.

He died in California in 1932.

Sources

  • http://oklahomauniquelyamerican.com/materials/Book%20PDF/Prettyman.pdf
  • Prettyman, Don.  “William S. Prettyman: Frontier Phtographer at http://www.historiccamera.com/cgi-bin/librarium/pm.cgi?action=display&login=prettyman
  • http://blogs.baylor.edu/changing-expanse/william-s-prettyman/william-s-prettyman/
  • Drouin, Jeremy, “Photographing Native Americans in Oklahoma-Indian Territory, KC History, Missouri Valley Special Collections, Kansas City Public Library at http://kchistory.org/research/research-guides/photographing-native-americans-oklahoma-indian-territory
  • http://blog.brokenclaw.net/archives/om-photo
  • John R. Lovett, “Prettyman, William S.,” The Encyclopedia of Oklahoma History and Culture, www.okhistory.org (accessed September 12, 2017).

Memories in Miniature: Exhibit Coming

Kristine Schmucker, HCHM Curator

We are making plans for our next exhibit featuring miniatures of Harvey County.

Grace Hill Mennonite Church, 1881-1954

Grace Hill Mennonite Church Model. Created by Claassen Family, 1999.

Grace Hill Mennonite Church 1881-1954.

 Axtell Hospital

Axtell Hospital Model, Unknown Maker, No Date.

 Trains and the Newton Depot

Newton Depot Model, Created by Don Cooprider.

 

We have room for a few more models.  If you have a miniature of a building in Harvey County, give us a call.

The exhibit opens in February 2018.

New & Cool at HCHM

Recently a small pair of boys pants were donated to HCHM, still in the original store box. They were given to Henry  Frederick Dudte born in 1914 to John L and Anna M Dudte.  He grew up in Highland Township, Harvey County, Kansas.

These pants were given to him “to be worn on his First Birthday,” but it appears he never wore them.

H. Fred Dudte married Hazel Williams on May 30, 1937.  The couple raised their family in Harvey County. Fred died November 14, 2008 and Hazel on April 6, 2015.  They are both buried in the Highland Cemetery, Harvey County, Ks.

We know from photos that boys clothing has changed over the years.  In the 1890s, mothers continued the common practice of dressing their small boys in dresses or smocks with ruffles. It was not uncommon for siblings be dressed alike.

Eva & Reed Weimer, Sedgwick, Ks, 1890. Tripp Photo, HCHM Photo Archives.

Warren Kinney?, 1910. Frank Spangler Collection, HCHM Photo Archives.

At the turn of the century children’s clothing began to shift to clothes specific to children and gender specific Dresses, smocks and ruffles were less common.

Uncle David, John, Malcom, and Warren Nicholson, 1924. Nicholson Family Collection. HCHM Photo Archives.

Unidentified boy in a yard, ca. 1900. HCHM Photo Archives.

Unidentified boy, 1961. HCHM Photo Archives.